As a kid, I was obsessed with Narnia. There was always this sense that behind the ordinary world there was somewhere more real, more alive, more meaningful.
Somewhere along the way, I forgot about that and spent three decades following the script. I got the grades, founded the startups, raised the rounds, sold the companies. And ended up right back where I started.
So I turned inward. But most of what I found was just a better way to play the role.
Then I found a different kind of approach. One that wasn't interested in improving the performance — but in finding the performer.
That world I sensed as a kid? It's real. And this work is the doorway to it.